A movement becomes a tactile sensation, which in turn becomes another movement, and then a drawing only to become a tactile sensation again. What kind of perception and intuition does a body follow to become a vessel of translations? If translation is the creation of a fiction, can this fiction open up the imagination to new possibilities or can a body stay trapped in a closed circuit of meaning?
A site-specific movement performance
A collaboration between Burak Ertürk, Olga Popova, Eva Streit and Diana De Fex
Supported by Stadttheater Gießen
TanzArt ostwest Festival 2019
Diana De Fex 